|
|||||||||||
|
|
|||||||||||
SCALE FORMULAS IN STEPS (OR TONES): MAJOR (DO-RE-MI-FA-SO-LA-TI-DO) = W-W-1/2-W-W-W-1/2 MINOR (b3rd,b6th,b7th) = W-1/2-W-W-1/2-W-W HARMONIC MINOR (MINOR WITH RAISED 7th)= W-1/2-W-W-1/2-W+1/2-1/2 MELODIC MINOR (MINOR WITH RAISED 6th & 7th) = W-1/2-W-W-W-W-1/2 PENTATONIC MINOR (5 NOTES) = W+1/2-W-W-W+1/2-W ex.) A-C-D-E-G-A PENTATONIC MAJOR (5 NOTES) = W-W-W+1/2-W-W+1/2 ex.) C-D-E-G-A-C BLUES SCALE(b5th ADDED) = W+1/2-W-1/2-1/2-W+1/2-W ex.) A-C-D-Eb-E-G-A CHROMATIC SCALE (EVERY NOTE) = 1/2-1/2-1/2-1/2-1/2-1/2-1/2-1/2-1/2-1/2-1/2 |
|||||||||||
REALATIVE KEYS AND THEIR NOTES: Am = A-B-C-D-E-F-G-A / C = C-D-E-F-G-A-B-C Em = E-F#-G-A-B-C-D-E / G = G-A-B-C-D-E-F#-G C#m = C#-D#-E-F#-G#-A-B-C# / E = E-F#-G#-A-B-C#-D#-E |
|||||||||||
KEY SIGNATURES: RELATIVE KEYS: |
|||||||||||
NO SHARPS = C or Am ONE SHARP = G or Em TWO SHARPS = D or Bm THREE SHARPS = A or F#m FOUR SHARPS = E or C#m FIVE SHARPS = B or G#m SIX SHARPS = F# or D#m SEVEN SHARPS = C# or A#m |
NO FLATS = C or Am ONE FLAT = F or Dm TWO FLATS = Bb or Gm THREE FLATS = Eb or Cm FOUR FLATS = Ab or Fm FIVE FLATS = Db or Bbm SIX FLATS = Gb or Ebm SEVEN FLATS = Cb or Abm |
||||||||||
MODES: |
|||||||||||
A MODE IS FORMED BY SIMPLY TAKING A MAJOR SCALE, SUCH AS 'C' AND STARTING ON ANY OTHER NOTE IN THE SCALE AND PLAYING UP TO THE SAME NOTE AN OCTAVE HIGHER. ALL MODES DERIVED FROM C MAJOR ARE MADE OF THE SAME NOTES AS C MAJOR; NO SHARPS OR FLATS. EXAMPLE IN C MAJOR (IONIAN): C-C - IONIAN (MAJOR) D-D - DORIAN E-E - PHRYGIAN F-F - LYDIAN G-G - MIXOLYDIAN A-A - AEOLIAN (NATURAL MINOR) B-B - LOCRIAN *TIP - PLAY Bm SCALE OVER AN Em CHORD TO GET THE DORIAN SOUND! *ONLY PRACTICE AT SPEEDS YOU CAN PLAY PERFECTLY! *ALWAYS TAP YOUR FOOT, GROOVE OR HEADBANG!!! |
|||||||||||
|
Clients | Bio | Endorsements | Contact |
|||||||||||